Artist: Paul Horn
Genre(s):
New Age
Easy Listening
Folk
Ethnic
Other
Discography:
Inside the Taj Mahal I and II
Year: 2001
Tracks: 25
Brazilian Images Transparent
Year: 2001
Tracks: 10
Tibet
Year: 2000
Tracks: 17
Africa
Year: 1994
Tracks: 7
The Peace Album
Year: 1988
Tracks: 15
Traveler
Year: 1985
Tracks: 12
Paul Horn In Kashmir
Year: 1968
Tracks: 6
Riviera Concert (23-1-1980)
Year:
Tracks: 5
In India and Kashmir
Year:
Tracks: 13
When one evaluates Paul Horn's calling, it is as if he were deuce people, pre- and post-1967. In his early years, Horn was an fantabulous cool-toned altoist and flute player, piece afterwards he became a young years flautist whose mood music is often c. H. Best used as background euphony for speculation. Horn started on pianoforte when he was quaternity and switched to alto at the eld of 12. After a stint with the Sauter-Finegan Orchestra on tenor, Horn was Buddy Collette's replacement with the popular Chico Hamilton Quintet (1956-1958), playing alto, transverse flute, and clarinet. He became a studio apartment instrumentalist in Los Angeles, only also launch time during 1957-1966 to record cool malarkey albums for Dot (by and by reissued on Impulse), World Pacific, Hi Fi Jazz, Columbia, and RCA, and he participated in a memorable live session with Cal Tjader in 1959. In addition, in 1964, Horn recorded one of the number one Jazz Masses, utilizing an orchestra staged by Lalo Schifrin. In 1967, Paul Horn studied transcendental speculation in India and became a teacher. The following year, he recorded unaccompanied flute solos at the Taj Mahal (where he enjoyed interacting with the echoes), and would go on to record in the Great Pyramid, tour China (1979) and the Soviet Union, record using the sounds of slayer whales as "accompaniment," and establish his possess label Golden Flute. Most of Paul Horn's ferment since the mid-'70s is focused on new eld rather than jazz.
